is an art historian, curator, and Ph.D. Candidate in Visual Studies with a Graduate Emphasis in Global Studies at the University of California, Irvine. He was a 2022 Landhaus Fellow at the Rachel Carson Center for Environment and Society in Munich, Germany.

Analyzing contemporary art and film produced alongside resistance to military occupation, social movements for agrarian reform, and anti-colonial national liberation struggles, Aaron’s research rearticulates 1960s and 1970s Land Art through the interdependent structures of U.S. settler colonialism and imperialism. His dissertation, “Aloha ‘Āina as Medium: Land, Art, and Sovereignty in Post-Statehood Hawai‘i,” traces a counter-institutional lineage of visual culture advancing Hawaiian self-determination from the 1960s into the speculative future. Aaron’s work has appeared in Third Textcaa.reviewsPacific Arts, and Antipode: A Radical Journal of Geography. He has taught courses in art history, film and media studies, and writing at Pitzer College; California State University, San Bernardino; and the University of California, Irvine.

Aaron is Editorial Assistant for Afterimage: The Journal of Media Arts and Cultural Criticism, an advisory board member and graduate coordinator of the UCI Environmental Humanities Research Center, and a co-organizer of the Climate Futures Collective. He was previously a Humanities Out There Public Fellow with Orange County Environmental Justice, through which he continues to assist Friends of Puvungna. During the 2020-21 academic year, Aaron was a Graduate Student Researcher with the UCI Humanities Center for its Oceans initiative.

In addition to his academic work, Aaron is currently Assistant Curator of Transformative Currents: Art and Action in the Pacific Ocean for the 2024 Getty PST ART: Art & Science Collide program. He has worked in various curatorial capacities with the Orange County Museum of Art, UCI Langson Institute and Museum of California Art, Honolulu Museum of Art, and John Young Museum of Art, among others.

Aaron is a haole (white, non-Native) scholar based in occupied Hawai‘i and on Tongva and Acjachemen lands in the area now known as Southern California. He earned a B.A. from the University of Hawai‘i at Mānoa in 2018, graduating summa cum laude with Honors in Art History and a certificate in Environmental Studies. His arts-based practice is Hillside Slides.